Reconstruction in Reverse is an exciting and challenging exhibition analyzing the role and impact each individual Nigerian has on our collective identity as a nation and how we define ourselves in an increasingly contemporary world.
RECONSTRUCTION in REVERSE or deconstruction brings together portraits of the famous, infamous and non famous, but just as important! The intimacy of portraiture will enable the audience to gain an increased perspective and understanding on issues relating to self discovery and awareness.
The exhibition employs deconstruction as a strategy of critical analysis and seeks to challenge the displaced and misinterpreted Nigerian identity forced on us by addressing commonly held social stereotyping and assumptions. In constructing the photographic identities of the subject many of the portraits on view are taken in various environments and situations which provide a graphic beauty and simplicity as well as a distinctive narrative content in the theatricality of human action.
The exhibition will feature thirteen of Nigeria’s prominent contemporary photographers including Adolphus Okpara, Ebikware Okiy, Isaac Emokpae, Jide Adeniyi-Jones, Jide Alakija, Kelechi Amadi-Obi, Lolade Cameron-Cole, Mudi Yahaya, Nnamdi Ijiomah, Tam Fiofori, TY Bello, Uche James-Iroha and Yetunde Ayeni-Babaeko.
Exhibition started on November 6 and ends on November 12 at Omenka Gallery, 24, Ikoyi Crescent, Ikoyi, Lagos. RSVP: +234 (0)803.312.9276, (0)808.366.1101
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Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts
Monday, November 08, 2010
Omenka Gallery presents: Reconstruction in Reverse
Omenka Gallery presents Reconstruction in Reverse, a photographic exhibition.
Monday, December 07, 2009
Podcasts: The Nigerian Photographer
Listen to podcasts from lifetsyle and wedding Nigerian photographers on The Nigerian Photographer.
Thursday, December 03, 2009
Photographic Exhibition: '101 Reasons NOT to Visit Lagos'

(Click image to enlarge)
The Ben Enwonwu Foundation cordially invites you to RE: 101 Reasons NOT to Visit Lagos, a photographic exhibition and visual commentary on modern Lagos by Olayinka Oluwakuse III.
Where: Wednesday December 9, 2009 (5PM prompt)
Where: The Civic Center, Ozumba Mbadiwe Road, Victoria Island, Lagos
Friday, September 18, 2009
Photography Exhibition: Mothers of Africa
This takes place over the weekend (Saturday, September 19) at the Goethe Institute, 4PM.
Tuesday, September 15, 2009
A Perspective on Contemporary Nigerian Photography
This is an exhibition on contemporary Nigeria by Nigerian photographers, including: Sunmi Smart-Cole, Don Barber, Kelechi Amadi-Obi, TY Bello and Mudi Yahaya.
Where: Omenka Gallery, The Ben Enwonwu Foundation, 24 Ikoyi Crescent, Ikoyi, Lagos
When: Opening is on Friday, September 25 at 5PM. The exhibition ends on Saturday, September 26
Where: Omenka Gallery, The Ben Enwonwu Foundation, 24 Ikoyi Crescent, Ikoyi, Lagos
When: Opening is on Friday, September 25 at 5PM. The exhibition ends on Saturday, September 26
Sunday, December 14, 2008
Kids Vision: Photographic Works by Children
I went to Terrakulture to see Death and the King's Horseman. As usual, I went to the gallery on the 1st floor of the main building to see what was new.
What was new was Kids Vision, an photography exhibition by children which started from Dec 10th and was ending today (the 14th). Lucky for me, I thought! I love photography exhibitions and I am especially interested in seeing how young people view the world.
The exhibition was organised by African Child Development Initiative (ACDI), a new NGO with a vision "to promote lasting improvements in the lives of local under privileged children." This exhibition was the result of a two-part project, where children from a private school in Ikoyi (Lagos Preparatory School) and from a disadvantaged school in Iwaya (Premier Foundation School) were taught the fundamentals of photography and then given cameras to take pictures based on some specific themes: My friends; My family; My home; My school; and Myself. The second part of this project involved giving 200 children disposable cameras to capture images of "their Lagos."
This reminds me of a documentary I watched a few years ago that chronicled a project very similar to this, but which was set in a Calcutta slum. I can't remember the name now, but it won an Academy award for the best foreign film, or was it best documentary (is there such a category?). Well, I'm sure it'll come to me later.
The photographs ranged from the fun, the witty to the poignant and the fascinating. And while I might have expected the subjects or the approach to somehow indicate that the pictures were taken by a child, I have to say that this wasn't the case for me. I think some people (young or old) just have an interesting way of viewing the world and this is reflected in their photographs. And so there were the fair share of photos that made me stop and look closer.
My only grouse was that some of the photos appeared to have been printed out with a regular office printer on copier paper, and so the beauty of the photograph was somewhat diminished. There was however a beautifully printed coffee table book available for purchase. My only other complaint is that I discovered this exhibition too late to let people know about it.
Visit ACDI's website at www.theacdi.org for more info.
NB: Okay, the film whose name I couldn't remember is called Born into Brothels.
What was new was Kids Vision, an photography exhibition by children which started from Dec 10th and was ending today (the 14th). Lucky for me, I thought! I love photography exhibitions and I am especially interested in seeing how young people view the world.
The exhibition was organised by African Child Development Initiative (ACDI), a new NGO with a vision "to promote lasting improvements in the lives of local under privileged children." This exhibition was the result of a two-part project, where children from a private school in Ikoyi (Lagos Preparatory School) and from a disadvantaged school in Iwaya (Premier Foundation School) were taught the fundamentals of photography and then given cameras to take pictures based on some specific themes: My friends; My family; My home; My school; and Myself. The second part of this project involved giving 200 children disposable cameras to capture images of "their Lagos."
This reminds me of a documentary I watched a few years ago that chronicled a project very similar to this, but which was set in a Calcutta slum. I can't remember the name now, but it won an Academy award for the best foreign film, or was it best documentary (is there such a category?). Well, I'm sure it'll come to me later.
The photographs ranged from the fun, the witty to the poignant and the fascinating. And while I might have expected the subjects or the approach to somehow indicate that the pictures were taken by a child, I have to say that this wasn't the case for me. I think some people (young or old) just have an interesting way of viewing the world and this is reflected in their photographs. And so there were the fair share of photos that made me stop and look closer.
My only grouse was that some of the photos appeared to have been printed out with a regular office printer on copier paper, and so the beauty of the photograph was somewhat diminished. There was however a beautifully printed coffee table book available for purchase. My only other complaint is that I discovered this exhibition too late to let people know about it.
Visit ACDI's website at www.theacdi.org for more info.
NB: Okay, the film whose name I couldn't remember is called Born into Brothels.
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