Showing posts with label The Namesake. Show all posts
Showing posts with label The Namesake. Show all posts

Monday, May 12, 2008

The Namesake Re-watched

I watched The Namesake last year when it was shown at Nu Metro. I loved the book and liked Mira Nair's films, so I hoped that I would like the film. Thankfully, I loved it. I think my friend and I were the only non-Indians in the cinema hall. I said I would get the film on DVD.

I did a few weeks ago and re-watched it several times (I'm currently listening to the director's commentary). It still strikes me as such a beautiful poignant film. I would have added "one that so astutely depicts the immigrant experience in the US, or anywhere for that matter", but I fear that would be so nauseatingly cliched. LOL! Okay, so I just said it.

However, it still does bring back those feelings of loneliness, being the outsider, having to explain your country and culture to people over and over again when they ask you the maddeningly vague "So tell me ALL about Nigeria", and listen to them patronise you with their 'deep insight' on what the problem with Nigeria is.

However, the Namesake is so much more than that. It's such a gorgeously told story about family: you love them sometimes; you can't stand them sometimes; but somehow they always seem to be the ones at the start of the story and with you at the end.

Monday, May 21, 2007

The Namesake on Film

I went to see The Namesake a few weeks ago - or many, many weeks ago probably more like.

I have been looking forward to this ever since I heard that Mira Nair was bringing the book to film. I loved the book and hoped that the film would be even half as good. I like a lot of Mira Nair's films, but sometimes they can be a bit hit or miss for me. Monsoon Wedding has been her biggest hit to date and definitely a crow-pleaser. If you want something less middle-of-the-road, you should see Salaam Bombay, which explores the lives of some Mumbai street children.

The Namesake is not a big book, but it packs in a lot and spans 2 continents and several decades. As a result, Mira Nair had to leave out a lot. It still leaves a good film with a solid story, but having read the book probably gave me some degree more understanding than I might have otherwise had. The original story is set in the Boston area, while the film moves the tale to New York. This really doesn't impact the story in anyway. I loved the book because it dealt with issues of feeling culturally at sea. At the time, I felt very much the same way too. I think most people who have lived in cultures outside of their own could relate very well to the book. Hell! Sometimes, we can even feel adrift in our own country.

i think many people wrongly asessed this film as "Just another Indian movie" i.e. a Bollywood film, which it certainly isn't. Consequently, when I went to see the film there couldn't have been more than 20 of us in the hall with my friend and I being the only black people. I thoroughly enjoyed myself, shedding bucket-loads of tears and admiring Tabu's beauty.